Actor Abbey Lee Talks Model Industry, Saying There's No Security In Getting Paid For Your Looks

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Actor Abbey Lee Talks Model Industry, Saying There's No Security In Getting Paid For Your Looks

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Abbey Lee: ‘There is no security in getting paid for your looksThe Guardian

Australian actor and model Abbey Lee (Kershaw) is blunt about the fashion industry in her sit-down with writer Alexandra Spring. Largely gone from the fashion spotlight these days, Abbey Lee is focused on her acting career, appearing in George Miller’s ‘Mad Max: Fury Road,’ an upcoming action flick ‘Gods of Egypt’ and now ‘Ruben Guthrie’.

Filmwriter-director Brendan Cowell’s “celebrated stage play”, will be a film about an alcoholic ad exec who receives an ultimatum to stop drinking by his supermodel girlfriend Zoya.  

Lee says she could see Cowell’s point in an email delineating the parallels between Zoya and Abbey Lee for real. “[Zoya’s] decision to leave something that was bad for her – that might have been a really hard decision for her to make – and venture into something unknown was something I was going through at that very time.”

Coincidentally, Abbey Lee is writing her own semi-autobiographical film about addiction, although she refused to discuss it in this interview.  Read on in Fashion & Style. 

 

Ashley Graham Tells TED: I'm Bold, Beautiful & Brilliant Even With Back Fat

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Ashley Graham Tells TED: I’m Bold, Beautiful & Brilliant Even With Back Fat

IMG model Ashley Graham gave one of the most inspiring talks ever before a sold-out audience of 450 people in Valencia, Spain during an April 2015 TEDxBerkleeValencia event. Watch it here.

Dominating the stage with confidence and enthusiasm for her commitment to being a body-image activist for all women, Graham who is a 27-year-old Nebraska native said:

‘My body, like my confidence, has been picked apart, manipulated, and controlled by others who didn’t necessarily understand it. I had to learn to reclaim my body as my own, and in reclaiming my body as my own, I understood as a woman that I had a greater purpose to redefine feminine beauty.’