Billie Eilish Covers Vogue US March 2020 by Ethan James Green, Harley Weir, Hassan Hajjaj

Billie Eilish Covers Vogue US March 2020 by Ethan James Green, Harley Weir, Hassan Hajjaj

Pop star Billie Eilish covers the March 2020 issue of American Vogue, lensed by Ethan James Green, Harley Weir, and Hassan Hajjaj for three different Vogue covers and her fashion editorial. Fashion editor Alex Harrington is in charge of styling and Rob Haskell conducts the interview: How Billie Eilish Is Reinventing Pop Stardom

Ellish arrives in Vogue fresh off her sweeping the 62nd Grammy Awards for Best New Artist, Song of the Year, Record of the Year and Album of the Year — along with honors for Best Pop Vocal Album.

See our original post to hear Billie’s ‘No Time To Die’, the second-ever James Bond theme song to hit the top of the UK singles chart. Eilish, now 18, is the youngest artist to record a track for the Bond franchise, performed the song at this week’s Brit Awards in London.

Appearing on the London’s Capital Breakfast show this week, Billie Eilish was asked who should take over as James Bond, as the successor to Daniel Craig. ‘No Time To Die’ is Craig’s fifth and final Bond film.

Eilish said: “Honestly, Michael B Jordan would kill that s**t … I think he would kill it.”

How About Chiwetel Ejiofor ?

A very glamorous image of Kate Moss and ‘12 Years a Slave’ star Chiwetel Ejiofor popped into my mind just now. There’s a serious James Bond vibe going on in these Mario Testino images for the December 2013 issue of American Vogue.

Kate Moss & Chiwetel Ejiofor In 'Silk Road', Lensed By Mario Testino For Vogue US December 2013

Meet Moroccan-British Artist Hassan Hajjaj

Hassan Hajjaj in his shop and studio on Shoreditch, East London, on Sept. 20. A major retrospective of Mr. Hajjaj’s work is showing at the Maison Européenne de la Photographie in Paris.Credit...Ana Cuba for The New York Times

Hassan Hajjaj Turns Moroccan Clichés Into London Cool New York Times 10/9/2019

Moroccan-born British photographer Hassan Hajjaj’s artistry figures heavily in Vogue’s March 2020 Billie Eilish editorial. Siddhartha Mitter sat down with the artist in October, in his joyously messy Shoreditch, East London studio.

“There are two kinds of artist,” Mr. Hajjaj said in the shop’s back area, with its banquettes made of Moroccan Coca-Cola crates topped with flower-print cushions. “There’s the artist that needs space, to be on their own to work, and there’s somebody like myself.” He scanned the scene. “There’s always an ambience.”

Mr. Hajjaj has become Morocco’s most visible artist, “taking over the entire Maison Européenne de la Photographie, the photography museum. The city’s mayor, Anne Hidalgo, attended the opening, which included Moroccan Gnawa musicians performing with Yasiin Bey, the rapper once known as Mos Def.”