Wonder woman Angelina Jolie follows in the steps of Beyonce’s essay in the September 2019 issue of Vogue, choosing to set her own narrative. Given the generally low quality of women’s magazines’ interview questions — I agree they have made progress — the haters should stop clutching their pearls around journalistic integrity and come up to Angelina’s level.
Swiss architect Peter Zumthor and the late French-born artist Louise Bourgeoise collaborated in the hauntingly beautiful and poetic Steilneset Memorial in Vardø, Norway, an arresting memorial to 91 people, 77 women and 14 men, who were burned at the stake here in the 17th century for the crime of witchcraft.
Sturla J. Stalsett, general secretary of the Vardø Church City Mission, pointed out during the opening ceremonies presided over by Her Majesty Queen Sonja of Norway, that the memorial is meant to remind us of the ongoing danger of collectively creating scapegoats. If historical circumstances seem peculiar now, the intent behind the work addresses larger moral claims.
The editorial begins with a quote by Theda Kenyon, author of ‘Witches Still Live’:
The blackest chapter in the history of Witchcraft lies not in the malevolence of Witches but in the deliberate, gloating cruelty of their prosecutors.