Imaan + Aicha Hammam in 'Show of Hand' by Zoe Ghertner for Vogue US December 2019

Imaan + Aicha Hammam in 'Show of Hand' by Zoe Ghertner for Vogue US December 2019

Top model Imaan Hammam joins fashion forces with her sister Aicha Hammam in ‘Show of Hand’, styled by Camilla Nickerson. The fashion editorial is shot by Zoe Ghertner in Chefchaouen, Morocco, located in the Rif Moountains of northwest Morocco, for the December 2019 issue of American Vogue./ Hair by Jimmy Paul; makeup by Susie Sobol

FKA twigs Poses in 'Sword and Sorcery' by Ethan James Green for Vogue US October 2019

FKA twigs Poses in 'Sword and Sorcery' by Ethan James Green for Vogue US October 2019

British singer and songwriter FKA twigs is styled by Camilla Nickerson in ‘Sword and Sorcery’ lensed by Ethan James Green for American Vogue October 2019./ Hair by Julien d’Ys; makeup by Susie Sobol

Bibi Cornejo Borthwick Captures Marte Mei van Haaster for Purple Magazine September 2019

Bibi Cornejo Borthwick Captures Marte Mei van Haaster for Purple Magazine September 2019

Model Marte Mei van Haaster is styled by Camilla Nickerson in ‘Falling to Earth’. Photographer Bibi Cornejo Borthwick is behind the lens for Purple Magazine Fall 2019./ Hair by Adam Szabo; makeup by Romy Soleimani

Binx, Lara + Lina Front Proenza Schouler Fall 2019 Lensed by Pierre-Ange Carlotti

Binx, Lara + Lina Front Proenza Schouler Fall 2019 Lensed by Pierre-Auge Carlotti

Proenza Schouler casts Binx Walton, Lara Mullen and Lina Zhang in its smart-women rule Fall 2019 campaign. Camilla Nickerson styles the trio in sophisticated simplicity and angular but soft layers. Pierre-Ange Carlotti is behind the lens in New York. / Makeup by Dick Page; hair by Holli Smith

Zoe Ghertner Captures Vogue US 'The Present Is Female': Designers Behind Fashion Revolution

Zoe Ghertner Captures Vogue US 'The Present Is Female': Designers Behind Fashion Revolution

Sarah Mower is the first person voice behind Vogue’s August 2019 in-depth ‘The Present Is Female: The Designers Behind a Fashion Revolution.’

A FEMALE CULTURE runs far and wide across the landscape of 21st-century fashion. It’s there at the top of the canopy, in major Parisian houses; it pervades the uprising of young, self-made independents and generations of established entrepreneurs: a multifaceted critical mass of women steadily working to change an industry for the better. What’s remarkable is the way they talk about feeling, their agile ability to intuit the time we live in, and their quiet but steady turning of the fashion world toward the overthrow of bad and old institutional behaviors.

Raquel + Imaan Define Gorgeosity In 'Natural Selection' By Ethan James Green For Vogue US

Raquel + Imaan Define Gorgeosity In 'Natural Selection' By Ethan James Green For Vogue US

Raquel Zimmermann and Imaan Hammam are styled by Camilla Nickerson in gorgeous visual opulence in ‘Natural Selection’. Photographer Ethan James Green captures the queenly magnificence for Vogue US July 2019.

Zendaya Puts Disney Behind Her, Lensed By Tyler Mitchell For Vogue US June 2019

Zendaya Puts Disney Behind Her, Lensed By Tyler Mitchell For Vogue US June 2019

Zendaya Maree Stoermer Coleman is living in the fast lane, which is good for a woman who drives with her foot pressed on the pedal. Fresh off the splashy debut of her TommyxZendaya collection in Paris, photo shoots for Lancôme as the brand’s youngest global ambassador and the build-up to her new HBO series ‘Euphoria’, Zendaya covers the June 2019 issue of American Vogue.

Styled by Camilla Nickerson in romantic, refined looks from Marni, Olivier Theyskens, Marc Jacobs, Richard Quinn, Lorenzo Serafini, Loewe, and Paco Rabanne, Zendaya puts her Disney past behind her for her HBO debut in ‘Euphoria’. Rising photographer Tyler Mitchell is behind the lens; May Singer conducts the interview.

Bibi Cornejo Borthwick Captures Carolyn, Gemma Caroline + In 'Personal Best' For Vogue US February 2019

Models Blesnya Minher, Caroline Trentini, Carolyn Murphy, Fei Fei Sun, Gemma Ward, Liya Kebede, Nora Attal, Sara Grace Wallerstedt and Vittoria Ceretti are styled by Camilla Nickerson in graphic collage pattern and fabric mixes. Photographer Bibi Carnejo Borthwick captures ‘Personal Best’ for Vogue US February 2019./ Hair by Bob Recine; makeup by Dick Page

Tyler Mitchell Captures Kiki Layne + Stephan James In 'Easy Street' For Vogue US January 2019

Tyler Mitchell Captures Kiki Layne + Stephan James In 'Easy Street' For Vogue US January 2019

Brooklyn photographer Tyler Mitchell returns to Vogue US January issue, turning his gaze from Beyonce to models Kiki Layne and Stephan James. Camilla Nickerson styles the duo in ‘Easy Street’ images steeped in seventies nostalgia, as the young leads of Barry Jenkins’s ‘If Beale Street Could Talk’ find love against the backdrop of Harlem. / Hair by Jimmy Paul; makeup by Dick Page

RollingStone reviews the film in ‘If Beale Street Could Talk’ Review: Barry Jenkins’ Ode to Love and Heartbreak, saying that the Oscar-winning director’s follow-up to ‘Moonlight’ gloriously brings James Baldwin’s beautiful, bittersweet prose to life

Claire Foy Reflects On Life's Turbulences, Lensed By David Sims For Vogue US November 2018

‘The Crown’ star Claire Foy covers the November 2018 issue of Vogue US. Photographer David Sims is behind the lens in an editorial styled by Camilla Nickerson choosing looks from Alexander McQueen, Gucci, Saint Laurent by Anthony Vaccarello, Miu Miu, Prada and Louis Vuitton. / Hair by Duffy; makeup by Lucia Pieroni

Claire Foy was eager to play Janet Armstrong, wife of Neil Armstrong — played by Ryan Gosling — who first walked on the moon. The movie ‘The First Man’ by Damien Chazelle opened this year’s Venice Film Festival and allowed Foy to play Janet struggling with loss and the emotional labor — often falling to women — of holding a family together. In the case of the Armstrongs, their family bonds were eclipsed by the moon and the heroic identity of her husband.

Foy admits to recovering her vitality slowly after a grueling period shooting ‘The Crown’ four months after the birth of her daughter, Ivy Rose. Consumed in the rush of success resulting from ‘The Crown’, Foy prepared for her intense physical and mental role in the latest iteration of Stieg Larsson’s Lisbeth Salander saga, ‘The Girl in the Spider’s Web’, while primed with parenting and then her separation from husband Stephen Campbell Moore. 

Speaking of the much criticized pay disparity Claire Foy experienced in making ‘The Crown’ — she was the queen but a poor one compared to costar Matt Smith’s salary as Prince Phillip — the actor speaks very positively of Netflix and how they handled her life as mother to a new baby girl. Netflix got its queen by investing, in logistical ways, in her motherhood. “No one had ever said to me that I could ask for anything before, that I could say that I needed a trailer with a bed in it,” she says. “That was completely new to me.” 

Jamie Hawkesworth Captures Saoirse Ronan, Set To Play Mary Queen of Scotts, For Vogue US August 2018

Jamie Hawkesworth Captures Saorise Ronan, Set To Play Mary Queen of Scotts, For Vogue US August 2018

Jamie Hawkesworth captures Bronx-born, Ireland-bred Saoirse Ronan for Vogue USAugust 2018 cover story. Camilla Nickerson styles Saorise, coosing looks by Prada, Miu Miu, Calvin Klein 205W39NYC, Michael Kors, Erdem and more. / Hair by Damien Boissinot; makeup Dick Page

Sally Rooney interviews Ronan, first nominated for an Academy Award at age 13 for her role in 'Atonement',  near her childhood home In Ireland, days before the national referendum that repealed its ban on abortion. The activist had actually made a video encouraging a vote to legalize abortion, a step she took with no regrets. 

“I just felt like that wasn’t important,” she says (about concerns for a backlash against her). “I know people who had to travel abroad in order to get an abortion, and that’s when I knew I would speak out.” But Ronan doesn’t engage only with policy concerns that touch her life directly. She also voiced her support in 2016 for the illegal takeover of an empty building in Dublin’s city center to accommodate the homeless; and she takes the time to recommend me Jeff Chang’s We Gon’ Be Alright, a book of essays on racial resegregation in the U.S. “I wouldn’t say I grew up politically minded,” she tells me, “but the older I get, the more in touch I am with what activists are doing—and the more I want to help them.”

Ronan will play Mary, Queen of Scots, in Josie Rourke’s biopic of the sixteenth-century monarch, out this December. Her foil is Margot Robbie, who plays Elizabeth I in 'Mary Queen of Scots', who describes Saoirse as "beyond her years".

Craig McDean Captures Vittoria Ceretti In 'Cocteau Hour' For Vogue US June 2018

Craig McDean Captures Vittoria Ceretti In 'Cocteau Hour' For Vogue US June 2018

Model Vittoria Ceretti appears with her brother Guglielmo Ceretti in 'Cocteau Hour', styled by Camilla Nickerson. Photographer Craig McDean captures Vittoria for Vogue US June 2018./ Hair by Orlando Pita; makeup by Peter Philips

Nora, Rianne & Imaan Are Lensed By Jamie Hawkesworth In 'No Limits' For Vogue US March 2018

Nora, Rianne & Imaan Are Lensed By Jamie Hawkesworth In 'No Limits' For Vogue US March 2018

Models Nora Attal, Rianne Van Rompaey & Imaan Hammam are styled in nomad looks by Camilla Nickerson. Photographer Jamie Hawkesworth captures the trio in 'No Limits' for Vogue US March 2018./ Hair by James Pecis; makeup by Dick Page

Shanelle Nyasiase Takes Our Breath Away, Lensed By Jamie Hawkesworth For McQueen Spring/Summer 2018 Campaign

Shanelle Nyasiase Takes Our Breath Away, Lensed By Jamie Hawkesworth For McQueen Spring/Summer 2018 Campaign

Ethiopia-born model, South Sudanese Kenya-rised model Shanelle Nyasiase makes a spectacular, breathtaking arrival on the international fashion scene fronting Alexander McQueen's Spring/Summer 2018 campaign. Jamie Hawkesworth captures the passion colors, full-throttle femininity in gowns styled by Camilla Nickerson. Granted, I am prejudiced given my own design preferences and strong attachment to Kenya, McQueen, nature and passion colors. But this campaign is a sensual feast for our eyes. Unadulterated joy! ~ Anne /Makeup by Dick Page; production by Laura Holmes.