Cara Delevingne Lends Strong Gaze + Nude Body To Balmain Spring 2019 Campaign

Balmain Sp 2019 Cara by Dan Belieu (4).jpg

Top talent and activist Cara Delevingne channels a 1993 Janet Jackson image for Rolling Stone image in French luxury house Balmain’s new Spring 2019 campaign, lensed by Berlin-based photographer Dan Beleiu. ‘Iconic,’ Balmain’s creative director Olivier Rousteing said about Jackson's vintage image, which he shared on Instagram a day before his own 2019 spring campaign release. 

Delevingne poses nude in images deliberately chosen by Rousteing to promote racial reconciliation. “The campaign shows the reunion of two skin tones, one black — or mixed race — and one white." Preaching the authenticity message, Rousteing saied:

“We’re going back to basics: I wanted something pure and transparent”.

Rousteing said Delevingne's look — including her signature thick eyebrows — was even more captivating stripped down and she didn't need to sport any of his clothing.

“I love her so much that I don’t want to see any clothes on her,” Rousteing said. “Her gaze is so strong and magnetic, it’s nearly an item of clothing in itself.”

Commenting further about the sensual nature of the images, he said: "The campaign images are very sensual, but there is nothing flirtatious about them. Cara has such a strong presence and personality: we chose a pared-back set to let her gaze and the lines of her body do the talking."

This Janet Jackson image from a 1993 issue of Rolling Stone inspired the Balmain campaign.

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Cara Delevigne posed in 2016 for the provocative, animal conservation ‘I Am Not A Trophy’ campaign, dedicated to raising awareness that the Earth has lost half of its wildlife in the past 40 years.


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In spring 2018, Cara covered her breasts with her own hands, posing in support of animal conservation in David Yarrow’s ‘Wild Encounters’ campaign for luxury watch brand Tag Heuer.

Cara Delevingne Model Archives @ AOC

Fashion Icon New Yorker Iris Apfel Signs With IMG, Her First 'Proper Agent' At Age 97


CNN Style wasn’t kidding, when Stephy Chung introduced an in-depth profile of a legendary New York style icon with the words ”Even at 96, Iris Apfel shows little interest in slowing down.”

Known for her bold and eccentric mix of haute couture with flea market finds, Apfel’s notoriety got a major boost in 2005, when her personal clothing collection went on display at the Costume Institute at the Metropolitan Museum of Art. Renamed the Anna Wintour Costume Center in May 2014, the renovated Costume Instutute Space includes the Carl and Iris Barrel Apfel Gallery to orient visitors to The Costume Institute's exhibitions. That, dear friends, is known as making a name for yourself.

A year later, Chung’s description of Iris Apfel was one the money, with the 97-year-old signing with IMG, one of the biggest and most prestigious model and talent agencies in the fashion world. The company will represent Apfel in modeling contracts, as well as appearances and endorsements.

"I’m very excited. I never had a proper agent," Apfel told WWD. "I’m a do-it-yourself girl. I never expected my life would take this turn so I never prepared for it. It all just happened so suddenly, and I thought at my tender age, I’m not going to set up offices and get involved with all kinds of things. I thought it was a flash in the pan, and it’s not going to last. Somehow, people found me. People would just call. Tommy Hilfiger said that was no way to do it, and he put us together. I’m very excited and very grateful."

Apfel hopes that her success will inspire other older women to do the same. "I don’t think a number should make any difference and make you stop working," she said. "I think retirement is a fate worse than death. I love to work, and love my work. I feel sorry for people who don’t like what they do. I do it now to the exclusion of everything else. I meet interesting, creative people, my juices flow and I really have a fine time."

In May 2013, the New York Times T Style sat down with Iris Apfel.


'Paris Good Fashion' Launches 5-Year Plan Making Paris Center Of Sustainable Fashion Industry

Merci store Paris. Photo by  Robin Benzrihem  on  Unsplash

Merci store Paris. Photo by Robin Benzrihem on Unsplash

The fashion industry is responsible for 10% of the world’s carbon footprint and is considered to be the second biggest polluter of fresh water globally, producting 20% of the world’s industrial wastewater. Forbes adds that the global fashion industry uses 24% of insecticides and 11% of pesticides required to produce crops used in garments.

Until now, London has led the international pace in the fashion sustainability movement. This week, Paris weighed in with a new five-year plan designed to establish French credentials in this critical arena of public policy and environmental action.

Called ‘Paris Good Fashion,’ the project outlines a five-year plan to build an open, collaborative community of fashion professionals, entrepreneurs, designers and experts working together to make Paris a sustainable fashion capital.

Frédéric Hocquard, deputy to Paris mayor Anne Hidalgo, and Antoinette Guhl, deputy in charge of social economy and solidarity, as well as former fashion journalist Isabelle Lefort, promised a more comprehensive project outline at a June 2019 event that will also feature campaigns promoting fashion recycling and conferences surrounding sustainable discussions.

Starting in 2014, the city’s leadership committed to becoming sustainable and socially responsible, and put the circular economy at the heart of new actions, according to the mayor’s office. Several organizations currently support the fashion sector, the city says. They include a boutique called La Textilerie that serves coffee, sells organic cotton fabric and used clothing, and offers workshops in an effort to help Parisians rethink their relationship with clothing.

Fashion is big business for Paris, with the city recently publishing these statistics:

  • 1.2 billion euros spent on fashion in Paris annually

  • 400 fashion shows per year, 50% of them foreign brands

  • 27 trade shows hosting 14,000 exhibitors, 75% of which are foreign brands

  • 100,000 individual visitors attending fashion shows annually

Image  via

Image via

The ‘Paris Good Fashion’ initiative’s end date will coincide with the 2024 Summer Olympics scheduled to take place in Paris.

In addition to city officials, initiative participants include the L’Institut Français de la Mode, the Fédération de la Haute Couture et de la Mode, Eyes on Talent, the Ellen McArthur Foundation, and Les Ateliers de Paris.

“Our role is to encourage creation while fighting against climate change, to continue production in France while protecting natural resources and to develop our industry while looking out for our artisans,” Antoinette Guhl said, according to WWD. “I hope this day marks the beginning of a collective movement within the fashion industry.”

London designer Stella McCartney is among the most prominent fashion industry professionals with a long and unyielding commitment to sustainable fashion. McCartney has a long, focused relationship with the Ellen McArthus Foundation.


Sofia Sanchez + Mauro Mongiello Lens Emily Gafford In 'Mirage' For Numero France February 2019

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Model Emily Gafford is styled by Samuel Francois in ‘Mirage’, a vibrant color mix of modern looks from Marc Jacobs, Louis Vuitton, Balenciaga, Moschino and more. Sofia Sanchez and Mauro Mongiello flash the fashion scene against a southwestern desert backdrop for Numéro France February 2019.

New Study Confirms Communities of Color Are Hardest Hit By Growing Wealth Inequality

Wynwood, Miami. Photo by  Meriç Dağlı  on  Unsplash

Wynwood, Miami. Photo by Meriç Dağlı on Unsplash

By Chuck Collins, a director of the Program on Inequality at the Institute for Policy Studies. Originally published on Yes! Magazine.

The story of the growing inequality in the United States has many dimensions.

There is the overarching story of the last four decades of polarizing income, wealth, and opportunity. But the many ways these inequalities manifest depend on people’s gender, race, age, immigration status, and other experience.

One piece of the story is to understand how 40 years of public policies have worsened the racial wealth divide and enriched the top 1 percent.

Wealth is where the past shows up in the present, both in terms of historical advantages and barriers. Measures of wealth—what you own minus what you owe—reflect the multigenerational story of White supremacy in asset-building.

For example, the median White family now has 41 times more wealth than the median Black family and 22 times more wealth than the median Latino family. These are among our findings in “Dreams Deferred,” a new study on the racial wealth divide that I co-authored for the Institute for Policy Studies.

Overall, inequality has grown as wages for almost half of all U.S. workers have been flatlined since the late 1970s. Meanwhile, expenses for housing, health care, and other basic needs have risen. This has touched people of all races, fueling some of the discontent of both regressive and progressive populism.

But while wealth at the middle falters, it’s soaring at the top. The Forbes 400 group of billionaires now have as much wealth combined as the entire Black population and a quarter of the Latino population combined. And the three richest billionaires—Jeff Bezos, Warren Buffett, and Bill Gates—have as much wealth as the entire bottom half of U.S. households.

Photo by  Jon Tyson  on  Unsplash

Photo by Jon Tyson on Unsplash

Since the early 1980s, median wealth among Black and Latino families has been stalled at less than $10,000. The median Black family today owns $3,600—just 2 percent of the $147,000 of wealth the median White family owns. The median Latino family has assets worth $6,600—just 4 percent of the median White family.

Since 1983, median wealth for all U.S. households declined by 3 percent, adjusting for inflation. Over this same period, the median Black family saw their wealth drop by more than half.

If the trajectory of the past three decades continues, by 2050 the median White family will have $174,000 of wealth, while Latino median wealth will be just $8,600—and Black median wealth will head downward to $600. In fact, the median Black family is on track to reach zero wealth by 2082.

While the middle class stagnates and the very richest leave everyone behind, there’s also growing precariousness at the bottom end of the spectrum. A growing number of households are “underwater” when it comes to wealth. The proportion of all U.S. households of any race with zero or “negative” wealth (meaning their debts exceed the value of their assets) has grown from one in six in 1983 to one in five households today.

Families of color are much likelier to be in this precarious financial situation: 37 percent of Black families and 33 percent of Latino families have zero or negative wealth, compared with just 15.5 percent of White families.

These racial wealth divisions are damaging to the economy as a whole. Low levels of Black and Latino wealth, combined with their growing proportion of the population, are a significant contributor to the overall decline in American median household wealth. By 2060, the combined Black and Latino percentage of the population is expected to rise from 30 percent to 42.5 percent.

Public policies aimed at reducing both overall inequality and the racial wealth divide in particular will be critical to creating a more equitable economic system.

Such policies could include the expansion of first-time homeownership for those who were denied access to home mortgage financing, both in the decades after World War II and up to the present day. This could include low-interest loans and down payment assistance.

Additional initiatives could remove barriers to higher education. Student debt now exceeds $1.5 trillion and discourages younger people from being able to save, build wealth and purchase homes.

U.S. Sen. Cory Booker has proposed the creation of a “baby bond” program that would seed an asset account for every newborn.

According to one study, had such a program been in place in 1979, the wealth gap between Latinos and Whites would have been entirely closed by now, and the wealth gap between Blacks and Whites would have shrunk 82 percent in young adult households.

Fishtown, Philadelphia Photo by  Ashim D’Silva  on  Unsplash

Fishtown, Philadelphia Photo by Ashim D’Silva on Unsplash

Such proposals could be universally applied to those with no or low wealth, or be part of a more targeted reparations program linked to the legacy of slavery, Jim Crow and White supremacy. Substantial funds could be raised by a progressive tax on wealth, similar to one proposed recently by U.S. Sen. Elizabeth Warren.

By taking these measures, we would close the racial wealth gap. But we also must address the overall challenges of inequality with policies to raise the minimum wage and expand health care, while taxing the 1 percent to fund education and infrastructure that create an economy that works for everyone, not just the superrich.

Chuck Collins is also the author of Born on Third Base: A One Percenter Makes the Case for Tackling Inequality, Bringing Wealth Home, and Committing to the Common Good.