Cara Delevingne Lends Strong Gaze + Nude Body To Balmain Spring 2019 Campaign

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Top talent and activist Cara Delevingne channels a 1993 Janet Jackson image for Rolling Stone image in French luxury house Balmain’s new Spring 2019 campaign, lensed by Berlin-based photographer Dan Beleiu. ‘Iconic,’ Balmain’s creative director Olivier Rousteing said about Jackson's vintage image, which he shared on Instagram a day before his own 2019 spring campaign release. 

Delevingne poses nude in images deliberately chosen by Rousteing to promote racial reconciliation. “The campaign shows the reunion of two skin tones, one black — or mixed race — and one white." Preaching the authenticity message, Rousteing saied:

“We’re going back to basics: I wanted something pure and transparent”.

Rousteing said Delevingne's look — including her signature thick eyebrows — was even more captivating stripped down and she didn't need to sport any of his clothing.

“I love her so much that I don’t want to see any clothes on her,” Rousteing said. “Her gaze is so strong and magnetic, it’s nearly an item of clothing in itself.”

Commenting further about the sensual nature of the images, he said: "The campaign images are very sensual, but there is nothing flirtatious about them. Cara has such a strong presence and personality: we chose a pared-back set to let her gaze and the lines of her body do the talking."

This Janet Jackson image from a 1993 issue of Rolling Stone inspired the Balmain campaign.

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Cara Delevigne posed in 2016 for the provocative, animal conservation ‘I Am Not A Trophy’ campaign, dedicated to raising awareness that the Earth has lost half of its wildlife in the past 40 years.


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In spring 2018, Cara covered her breasts with her own hands, posing in support of animal conservation in David Yarrow’s ‘Wild Encounters’ campaign for luxury watch brand Tag Heuer.

Cara Delevingne Model Archives @ AOC

Fashion Icon New Yorker Iris Apfel Signs With IMG, Her First 'Proper Agent' At Age 97


CNN Style wasn’t kidding, when Stephy Chung introduced an in-depth profile of a legendary New York style icon with the words ”Even at 96, Iris Apfel shows little interest in slowing down.”

Known for her bold and eccentric mix of haute couture with flea market finds, Apfel’s notoriety got a major boost in 2005, when her personal clothing collection went on display at the Costume Institute at the Metropolitan Museum of Art. Renamed the Anna Wintour Costume Center in May 2014, the renovated Costume Instutute Space includes the Carl and Iris Barrel Apfel Gallery to orient visitors to The Costume Institute's exhibitions. That, dear friends, is known as making a name for yourself.

A year later, Chung’s description of Iris Apfel was one the money, with the 97-year-old signing with IMG, one of the biggest and most prestigious model and talent agencies in the fashion world. The company will represent Apfel in modeling contracts, as well as appearances and endorsements.

"I’m very excited. I never had a proper agent," Apfel told WWD. "I’m a do-it-yourself girl. I never expected my life would take this turn so I never prepared for it. It all just happened so suddenly, and I thought at my tender age, I’m not going to set up offices and get involved with all kinds of things. I thought it was a flash in the pan, and it’s not going to last. Somehow, people found me. People would just call. Tommy Hilfiger said that was no way to do it, and he put us together. I’m very excited and very grateful."

Apfel hopes that her success will inspire other older women to do the same. "I don’t think a number should make any difference and make you stop working," she said. "I think retirement is a fate worse than death. I love to work, and love my work. I feel sorry for people who don’t like what they do. I do it now to the exclusion of everything else. I meet interesting, creative people, my juices flow and I really have a fine time."

In May 2013, the New York Times T Style sat down with Iris Apfel.