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Peter Lindbergh Captures 90’s Beauties Cindy, Eva, Karen, Helena, Nadja & Tatjana by Peter Lindbergh for Vogue Italia September 2015

Natasha Poly & Lily Aldridge Are ‘Born to be Wild’, Lensed By Mert & Marcus For Vogue Paris September 2015

Vincent Peters Captures Maryna Linchuk In Natural Beauty For Harper’s Bazaar UK September 2015

Laura Julie Sandra Francais Are Captured By Koto Bolofo In Numero France No. 166 August 2015
Crista Cober Is A Sensual Nature Goddess Lensed By Txema Yeste For Numero August 2015

Exclusive Debut: Stephan Glathe Shoots Masha Veronina In Lingerie Elegance At Berlin’s Schlosshotel im Grunewald

Mert & Marcus Snap Sexy, Social Media Models In ‘Privacy Settines’ For W Magazine August 2015

Rosie Huntington-Whiteley Delivers Epic Sensuality In Luigi & Iango Images For Lui Magazine June 2015

Magdalena Frackowiak Launches 18-carat Gold Jewelry Collection

Luigi & Iango Capture Female Dominance In ‘Let It Rock’ For Vogue Germany June 2015

Gisele Bundchen Is An Earth Goddess Lensed By Paulo Vainer For Vogue Brazil May 2015

Tian Soars In ‘Twist’, Lensed By Kiki Xue For Harper’s Bazaar China May 2015

Monica Cima & Hannare Blaaboer Share An Appetitie For Attraction’ By Nicolas Guerin For Revs#14

Toni Garrn For Numero Russia February 2015 By William du Preez & Nick Thorton Jones

Woman | Julia Stegner By Daniele Duella & Iango Henzi For Muse Magazine Winter 2010

Joan Smalls & Karlie Kloss In Bonfire of the Goddesses for W Magazine November 2014

Coco Rocha In ‘Minerva Is A Diva’ By Kristian Schuller For L’Officiel Italia September 2014

Christy Turlington By Inez & Vinoodth For Porter Magazine #5

Natasha Poly In ‘Poly Pur’, Lensed By Luigi & Iango For Vogue Germany, October 2014

Adriana Lima In Lingerie By Giampaolo Sgura For Vogue Brazil October 2013

Doutzen Kroes Is ‘Pure Iconic’ By Paul Bellart For Vogue Netherlands September 2013

A Divine Kate Upton Is Boss In Henrique Gendre’s Vogue Brazil July 2013 Cover Shoot

Anne of Carversville & Sensuality News do not accept submissions.

Entries in Yocheved Horowitz (1)


The Battle for Women's Bodies Is Full Steam Ahead | Sanja Iveković's MOMA 'Sweet Violence' | Meryl Poster @ Weinstein

Daily French Roast

Anne is reading …

(Ultra-Orthodox men, wearing uniforms like those worn by Jews during the holocaust, take part in a protest against what they called oppression of Ultra-Orthodox Jews, in Jerusalem’s Mea Shearim neighbourhood December 31, 2011. REUTERS/Baz Ratner)A little-noticed story got our attention yesterday. Ultra-Orthodox Jewish demonstrators provoked outrage and condemnation on Sunday by dressing children as Holocaust victims and making one boy wearing a centerpiece of the protest against devout Jews seeking gender separation in Israel. 

His hands were raised in surrender and a yellow Star of David inscribed with “Jude,” Jew, in German, was sewn on his jacket. The image mimicked a memorable photo of a terrified Jewish boy during a roundup in the Nazi-occupied Warsaw Ghetto in World War Two. “Nazis, Nazis,” some of the protesters shouted at police.

Writing at that moment a response to Bro. Dennis’ recent 2Ps in a Pod post about loving our bodies as a temple, Anne turned course, asking how a modestly-dressed eight-year-old girl who is called a whore on her way to school can grow up with a positive self-image.

A core premise of Anne of Carversville is the insatiable need of men to control women’s bodies in every aspect — from flogging 40,000 women a year in Sudan for inappropriate dress to setting 100,000 women on fire a year in India in a practice called “bride-burning”.

Anne has written before on all roads in global politics leading to Jerusalem, where crazy men — Jews, Christian and Muslim — will torch the world in the name of God.

Update in Israel

Ultra-Orthodox extremism is a reaction to growing reform in the community Haaretz (Israel)

Yocheved Horowitz by Michal Fattal

One ultra-Orthodox woman who did not stay silent Haaretz (Israel)

Yocheved Horowitz had considered protesting for a long time. “I wanted to signal to the extremists, and not only on buses, that women are not hefker” [literally “ownerless property,” though in this context meaning expendable]. “Of course I was scared at first. The Haredim don’t like things like this. They fear having their name and image publicized. I was afraid of what people would say, especially my family. But I went with my truth and I knew that without a name the act would be less credible, and so I decided to go public.”

Horowitz views the extremist Sicarii campaign in Beit Shemesh, who made headlines last week after grown men spat at an 8-year-old girl whom they believed was not dressed modestly enough, as a gross misinterpretation of the Torah. “The Sicarii are insane, and I don’t even consider them religious. Lately everything has become forbidden, and I think that’s extremist and twisted.”

Haredi women resent intrusion into their sphere The Jerusalem Post

From Anne:

Controlling Women’s Bodies Is a Fight to the Finish

Drawing a Line in Lubna’s Sand, Saying ‘No More’ to the Growing, Global Erosion of Women’s Rights in the Name of Any Man’s Religion

Placebo Effect Update

The Wall Street Journal visits the amazing effect of placebos across a wide range of treatments for medical conditions. One factoid caught our eye, a reference to ghrelin levels as related to dieters and food consumption.

Last week’s New York Times in-depth The Fat Trap references ghrelin levels being 20% higher among weight losers. The focus of the article was on the difficulty of not regaining weight. Writer Tara Parker-Pope presented raised ghrelin levels as hormonal and biological, perhaps a reflection of the body’s concern about starvation.

This new article from WSJ slants the question differently, suggesting that perhaps the mind — a preoccupation with food and hunger so often associated with weight loss — also triggers ghrelin levels. If we believe we’re not getting enough food, our body responds accordingly.

More DFR

Lady Rosa of Sanja Iveković.The goddess on her huge pedestal (Lady Rosa of Luxembourg, 2001) is the work of Sanja Iveković. A regal and pregnant Nike, she rules over New York’s Museum of Modern Art’s central atrium in Iveković’s MoMA retrospective “Sweet Violence,” (on view through March 26).

Capital New York writes:

Iveković’s body of work stretches across drawing, photography, film, video, and performance, and largely examines the interlacing of the personal and the political. She is also—famously—the first Croatian artist to declare herself and her art feminist. Conceptual projects based on photo-collage and -montage like Double Life (1975-76), a series which pairs personal photographs of Iveković and magazine ads mirroring the gestures or appearances, probe how representations of the lives of women may determine the lives of women. The ads usually post-date the photographs, vexing the issue of causality further.

Meryl Poster Fashionable TV

Meryl Poster @ The Weinstein Co.WWD in-depths Meryl Poster, president of television for The Weinstein Co. Having previously worked for Harvey and Bob Weinstein at Miramax Films for 16 years, Poster is back.

Her list of shows she’s producing includes “Project Runway All Stars,” which makes its debut on Thursday on Lifetime Television; “Project Accessory,” which wrapped up Dec. 22; “Project Runway,” which will begin its 10th season in June; “Mob Wives,” whose second season premiered Sunday and has already been renewed for a third season on VH1, and “The Nanny Diaries,” which she is producing with Ryan Seacrest for ABC.

Progressive Theater Politics?

From left: Hamish Linklater, Alan Rickman, Lily Rabe, Hettienne Park and Jerry O’Connell in “Seminar” at the Golden Theater. Sara Krulwich/The New York TimesOn the one hand female playwrights historically haven’t found Broadway welcoming but this season is an exception, writes the New York Times. Along with a darkly comic one-act from the veteran Elaine May, Katori Hall and Lydia R. Diamond are making their Broadway debuts, and Theresa Rebeck, a Pulitzer Prize finalist, has her second Broadway production to date, the comedy “Seminar,” now at the Golden Theater.

Ms Rebeck’s ‘Seminar” begins with the line “Boys, boys, boys!” but promotes is own “insidious glass celing’ writes Claudia La Rocco.

In other plays, Ms. Rebeck has exposed cultural hypocrisies among the so-called enlightened, and true to her modus operandi, “Seminar” trades in stereotypes. At least there is a Kate to argue with Leonard — in sharp contrast to another current Broadway production, Woody Allen’s “Honeymoon Motel,” one of three frivolous one-acts in “Relatively Speaking,” which, like “Seminar,” celebrates the true (male) writer-artist and rewards him with a much-younger blonde. Ms. May’s “George is Dead” presents even drearier depictions of women, but the playlets as a whole are such offensive throwbacks, it seems petty to quibble with how any one group is treated.

Read on in this provocative critique: Women Playwrights and Gender Stereotypes on Broadway.

From Anne:

Are Women Actually Talking ‘Sexism’ After All These Years?

Anne of Carversville

Elizabeth Taylor by David Downton | ROUGE Winter 2011/12

AOC Style

Kate Beckinsale | John Russo | Harper’s Bazaar Arabia January 2012

Dakota Fanning | David Slijper | Elle UK January 2012 | Dakota will see you now…

Bambi Northwood Blyth | Natasha Alaverdian | Harper’s Bazaar Russia January 2012

Alice Dellal | Philippe Kliot | Vogue Brazil December 2011 | Grande Família

Sensuality News

SN Living

Sam Pinto | Majoy Siason | FHM Philippines December 2011

Jacob DeKat & Prince Chenoa | Lovecat Kittens of 2012 Calendar

Alessandra, Emanuela, Evandro+ | Michael Roberts | Vogue Brazil December 2011 | ‘Coquetel de Cores’

Ali | Roberto d’Este | Grazia Italia January 2012 | Let’s Party

Du Juan | Trunk Xu | Vogue China January 2012 | Creative Sky

Monika Sawicka | Claudia Knoepfel & Stefan Indlekofer | Vogue Germany January 2012 | Feeling Frühling

Julia Lescova | Mark Sarco | FHM Russia January 2012

Ursula Corbero | Toni Torres | FHM Spain January 2012

Lad Language

British Lad Mags Quotes Score Worse Than Talk Of Real Rapists

This verbiage is also from one of the magazines: ‘A girl may like anal sex because it makes her feel incredibly naughty and she likes feeling like a dirty slut. If this is the case, you can try all sorts of humiliating acts to help live out her filthy fantasy.’ By contrast, here is a convicted rapist discussing his crime: ‘There’s a certain way you can tell that a girl wants to have sex … They way they dress, they flaunt themselves.’

Dr Peter Hegarty, of the University of Surrey’s Psychology Department, added: “There is a fundamental concern that the content of such magazines normalises the treatment of women as sexual objects. We are not killjoys or prudes who think that there should be no sexual information and media for young people.  But are teenage boys and young men best prepared for fulfilling love and sex when they normalise views about women that are disturbingly close to those mirrored in the language of sexual offenders?”

In both studies, one asking a coed group to rank the comments in terms of derogatory nature and the other by self-identification, the lad mags were scored worse than the statements of rapists.

Coco Café

We are a young company, recently launched out of Santa Monica and we are excited to serve you with our all natural, supreme quality, ultimately functional beverage.

The idea originated from Elan, one of Coco Cafés founders.  Developed in service of his ambitious lifestyle of recreation and work, Elan needed a healthy form of recovery and subsequent energy boost.He essentially stumbled upon the decadent combination of hydrating coconut water and invigorating espresso on the way to one of his mother’s early morning yoga classes.  Required to recover each morning from late nights out on the town, long business trips, and grueling hours at the job, the first brew of Coco Café was born.

Coco Café website


Sergy Korolkov | Acqua Di Sensi 2012 Calendar Sensuality News Wide Screen