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Peter Lindbergh Captures 90’s Beauties Cindy, Eva, Karen, Helena, Nadja & Tatjana by Peter Lindbergh for Vogue Italia September 2015

Natasha Poly & Lily Aldridge Are ‘Born to be Wild’, Lensed By Mert & Marcus For Vogue Paris September 2015

Vincent Peters Captures Maryna Linchuk In Natural Beauty For Harper’s Bazaar UK September 2015

Laura Julie Sandra Francais Are Captured By Koto Bolofo In Numero France No. 166 August 2015
Crista Cober Is A Sensual Nature Goddess Lensed By Txema Yeste For Numero August 2015

Exclusive Debut: Stephan Glathe Shoots Masha Veronina In Lingerie Elegance At Berlin’s Schlosshotel im Grunewald

Mert & Marcus Snap Sexy, Social Media Models In ‘Privacy Settines’ For W Magazine August 2015

Rosie Huntington-Whiteley Delivers Epic Sensuality In Luigi & Iango Images For Lui Magazine June 2015

Magdalena Frackowiak Launches 18-carat Gold Jewelry Collection

Luigi & Iango Capture Female Dominance In ‘Let It Rock’ For Vogue Germany June 2015

Gisele Bundchen Is An Earth Goddess Lensed By Paulo Vainer For Vogue Brazil May 2015

Tian Soars In ‘Twist’, Lensed By Kiki Xue For Harper’s Bazaar China May 2015

Monica Cima & Hannare Blaaboer Share An Appetitie For Attraction’ By Nicolas Guerin For Revs#14

Toni Garrn For Numero Russia February 2015 By William du Preez & Nick Thorton Jones

Woman | Julia Stegner By Daniele Duella & Iango Henzi For Muse Magazine Winter 2010

Joan Smalls & Karlie Kloss In Bonfire of the Goddesses for W Magazine November 2014

Coco Rocha In ‘Minerva Is A Diva’ By Kristian Schuller For L’Officiel Italia September 2014

Christy Turlington By Inez & Vinoodth For Porter Magazine #5

Natasha Poly In ‘Poly Pur’, Lensed By Luigi & Iango For Vogue Germany, October 2014

Adriana Lima In Lingerie By Giampaolo Sgura For Vogue Brazil October 2013

Doutzen Kroes Is ‘Pure Iconic’ By Paul Bellart For Vogue Netherlands September 2013

A Divine Kate Upton Is Boss In Henrique Gendre’s Vogue Brazil July 2013 Cover Shoot

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Entries in women's rights (98)

Tuesday
Sep092014

Berlin Photographer Karolin Klüppel's Mädchenland Captures Matrilineal Village Of Mawlynnong

Mawlynnong is a rarified place in the world. Located in jungle of the northeast Indian state of Meghalaya, just 95 houses and a population of around 500 lives as a matrilineal society on the border of Bangladesh. This small village is home to the indigenous Khasi people. As a matrilineal society, women inherit land, children take their mothers’ names, and men marry into their wives’ family homes.This social organization is striking in India, where sons are preferred without question.

The setting is also unique: lush, and so well-cared for, tourists across India visit to marvel at the lack of trash. Known also for its living root bridges, the place is now called “God’s own garden”.

The setting is also unique: lush, and so well-cared for, tourists across India visit to marvel at the lack of trash. With fines assessed for littering, residents take care of their own trash. All the residents of Mawlynnong can read and write, and their homes have a toilet.

The girls and young women of Mawlynnong attracted the attention of Berlin-based photographer Karolin Klüppel, who originally travelled to Mawlynnong to study these eco-friendly habits among the people. Last year, the German photographer traveled there to photograph the girls of the village in their homes and outdoors. In her series “Mädchenland,” or “girl-land,” Klüppel shows her subjects in classically girlish poses. She did this to highlight how adult they actually are.

In a statement sent to HuffPost, Küppel describes the inverse at play as “a completely opposite impression… namely a certain elevation of the girls above childhood, a strong self-awareness and pronounced air of self-sufficiency.”

At a very young age the children take over the responsibilities of their mother and before they turn eight they do the household chores and care for younger siblings,” she says. “Although this might seem like a limitation of childhood, I’ve never met happier or more self-confident children than in Mawlynnong.”. .

Mawlynnong, though, is a safe haven for girls, who attend the village school until the age of 11 or 12, at which age they go to stay with relatives in Shillong, the capital of Meghalaya, to continue their studies. After that, they decide whether to attend university or return to the village.

 

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Tuesday
Oct152013

Madonna's SecretProjectRevolution Video Is Smart Sensuality Values Personified

Anne here, having finally just grabbed 20 minutes to watch Madonna’s SECRETPROJECTREVOLUTION video in full. It’s explosive and an ultimate Smart Sensuality women statement. Madonna speaks for me in every respect: my values and beliefs, the ones expressed at AOC since 2007.

I will write a longer essay on SECRETPROJECTREVOLUTION. Feanne weighed in last week on my blog. #SECRETPROJECTREVOLUTION lauches a larger project between Madonna and photographer/director Steven Klein #ARTFORFREEDOM. This is a movement that AOC is proud to join.

More Steven Klein

Wednesday
Jun262013

Madonna & Steven Klein Release 'Secret Project' Video, Said To Be Women's Rights 'Back of the Bus' No More Anthem

Madonna and Steven Klein released their first glimpse of their new “civil rights project” that will deal with women’s rights. MTA reports that Madonna has recorded a new ballad, said to be one of the most powerful she has ever made. The cry to stop the violence against women and social violence generally is tentatively called ‘Back of the Bus’.

Steven Klein’s video is said to be inspired by the 1950s movie ‘Caged’ starring Eleanor Parker. Coincidentally, the drama takes us back to Texas. Writes Wiki:

A married 19-year-old (played by Eleanor Parker) named Marie Allen is sent to prison, after a botched armed robbery attempt with her equally young husband, Tom (who is killed). While receiving her prison physical, she finds out that she is two months pregnant. Despite the hardships she is put through under Matron Evelyn Harper (Hope Emerson), she gives birth to a healthy baby and wants to “temporarily” grant full custody to her mother. The intent is to get the baby back after she is released. However, her mother informs Marie that her callous step-father has decided that under no circumstances will he allow the baby into his house, and she uses the excuses that she’s “too old” and “hasn’t a penny in [her] name” as reasons why she can’t leave him and help Marie. The prison forces her to permanently give the child up for adoption. Marie never sees her baby again. After her exposure to hardened criminals and sadistic prison guards, by the end of the film she leaves prison a hardened woman with debts to the criminals who helped get her released from jail.

More Steven Klein